After being invited to the Sacramento Tweed Ride, by friends Lisa and Robb, I had only two weeks to get something together. I took my inspiration from vintage hunting/riding/sporting attire and my imaginings of vintage country living. I hope to one day, own a country home. Until that happens, I can just dress as if I do, right?Read More
I've had a bee in my bonnet for dressing up "old-fashioned" style for about as long as I can remember. Now as a grown woman, when my friend says that the Greater Bay Area Costumer's Guild is hosting an 1830's picnic at Ardenwood Farm in June, I can't help but jump at the opportunity. At this point, I've finished some of the undergarments (Shift and Drawers) and started on my Regency Long Stays. In doing some research, I found that during the 1830's, ladies were still wearing their long "stays" or transitioned to slightly curvier long stays and haven't quite evolved into the corsetry of the later 1800's. The pattern for these "stays" came from Redthreaded and the fit is spot on, with very little alteration.Read More
Today’s post is about a 1920’s Short Car Coat I finished just last week. The fabric for the jacket/coat has been in my stash for the last several years. I was planning on making it to go with the blouse and skirt I’m wearing in the photos, for Miss Fisher Con, which was almost 1 year ago (already?). It didn’t quite happen in the time I originally planned to make it, but an occasion came up and It seemed like a faster make than finishing a sweater, so off I went.Read More
It’s been busy over here at The Sewing Room and finishing this ensemble took some time. I think the blouse was one of my longest running projects in quite sometime. Partially, because of other projects that got in the way and also because I did a LOT of hand finishing.Read More
I recently finished these 3 pieces for our Holiday Window and thought it might be interesting to show how I put them together. These were 3 very fast and furious projects that you could easily accomplish in a weekend.Read More
Some of my favorite places to shop are on ETSY, the global online marketplace for everything Vintage, Craft or Craft Supply. And lately, I’ve been coming across some really wonderful vendors as well as my trusted favorites. Below is my GIFT GUIDE for Vintage Makers and the enthusiasts in their life.Read More
Well, because you asked, here is a blog post about the Blue Velvet Coat I wore to Miss Fisher Con. In this photo shoot (Thanks Mom!) I paired the jacket with a true vintage 1920’s silk lace and chiffon dress, along with some rhinestone / crystal accessories and coordinating shoes and bag.I think it all works together quite nicely.Read More
A 1920's evening gown is not quite complete with out an evening cloak, a headpiece and the right jewels. Luckily for me, I had a lovely piece of velvet and some pink silk crepe-de-chine along with matching crepe back satin, tucked up on my fabric shelf just waiting to be used.Read More
Recently, my good friend JoAnne took at trip to Los Angeles to take an art class. What a renegade idea! If she could do it, then so could I! The opportunity arose, to do just that, when I got an email from Ann Wood Handmade back in January or February, announcing a class she would be teaching in Los Angeles, in March. I jumped at the chance, because...Read More
Anyone who knows me, knows I LIVE in striped T's. I made the one pictured as a sample for some upcoming classes that I'll be teaching. It has long sleeves, a Bateau neck with a button shoulder/sleeve vents with grosgrain trim and side vents at the bottom opening. It's made from a beautiful navy blue and white synthetic yarn dyed striped (the stripe is knitted into the fabric as opposed to printing on top of the fabric) double knit, purchased from Piedmont Fabric. The gold nautical star buttons and vintage striped rayon grosgrain ribbon at the neck and sleeve vents were acquired from the ReCrafting Co. I made the pattern for this Breton Striped T-Shirt, using my body measurements. I'm fairly happy with the fit. I would only make the armhole and bicep a little smaller to match the slim fit of the body. I'll make those changes on the next one I make up.Read More
I've amassed a bit of a coat collection over the last year. Two of these beautiful coats were given to me, one was purchased at a Vintage Fashion Faire and I even made two myself - a Black 1920's Straight Coat & a Red 1930's long swing coat. For the coats, I didn't make some of my favorite acquisitions needed a little freshening up and/or restoration.Read More
Pictured here is a 1940's (or late 1930's) outfit that I sewed up using the Wearing History Smooth Sailing Sport Togs Shirt and Trousers pattern. LOVE, LOVE, LOVE!!!! This pattern is great. The blouse needs a little work in the armhole, but otherwise...Read More
This Dress was a long time coming. I started working on it in November of last year. Originally, I intended to make it from a wool crepe and that the red rayon would be a wearable muslin. Using the Colette Patterns Oolong Dress pattern (purchased for 1/2 price, when they were discontinuing the pattern), I decided to make one modification - add godets to the skirt in the princess seams to give it a little flip and flare....Read More
The Art Deco Society of California's Gatsby Summer Afternoon, is right around the corner. Slated for Sunday, September 10th, this annual event will take place on the majestic grounds of the Dunsmuir Hellman Estate in the Oakland Hills. Hundreds of people enter the grounds dressed to the nines in gorgeous picnic attire....Read More
Body Image - That's a tough one for a lot of us. It's not something talked about openly, very often, but a lot of the people I work with seem to be challenged by it, and daily. I've struggled with my own body image over the years as have most of my friends. As a teenager, looking through fashion magazines constantly (wanting to be cool, fashionable and popular), I compared myself to the models on those pages, dressed beautifully & styled to the nines. The comparisons killed me. You see, I've always been my own worst critic. Self criticism and loathing get to the heart of the matter. That internal critic (along with a little external reinforcement - peer pressure, magazines etc.) led me to an eating disorder, hospitalization and a life unmanageable, all by the tender age of 15...Read More
My best friend (Angie, I know you are reading this!) has started to identify herself as a "quilter" in recent days. This was somewhat alarming the first time I heard her say it. I haven't really understand the pull, other than the simple act of sewing. Well, as I was about to find out, it is much more than just stitching some fabric together. It's about color, design, brain work, pattern manipulation (2D this time and not 3D) and ,funny enough, comfort. The process is much easier than trying to fit a garment (again the 2D as apposed to 3D aspect of it). I'm beginning to see the appeal.Read More
Well, the day of the ball arrived and I was prepared! This year's theme was Death on The Nile (the Agatha Christie Murder Mystery) with a focus on Egyptian Revival of the Art Deco era.Read More
This jacket was found at the Vintage Fashion Expo in the Michaan's Auction House out at Alameda point last Fall. I loved it immediately and was pleased to say that it fit fairly well upon first trying it on, all be it, a little loose. This beautifully embroidered piece was only $45, so I nabbed it up and took it home.
Once home, I kept trying it on with different outfits and just found that I felt a bit frumpy in it. Have you ever had this experience? My bust and hips are full, at least in comparison to my shoulders and rib cage. The difference in size is about 3 dress sizes. Yikes. I'm the typical "Pear" - size 4 in the shoulders and rib cage, size 8 in the bust and a 10-12 in my waist andhips. Makes for a difficult fit a lot of the time. Well, this car coat (that's what these short jackets are called) is just a little too "Miss Fisher" to give up, so after close inspection, an alteration seemed in order.
"What to do?" You ask. Well, I say, make it fit in the shoulders. I started by pinning out the shoulder to see how much needed to be reduced - about 2" in the end.
After seam ripping the sleeves off the jacket, I drew a new armhole on the jacket, making the shoulders 2" smaller on each side. This made the armhole quite a bit larger than the sleeve.
In order to reduce the armhole measurement so that the sleeve would fit, I created a dart along the sides of the jacket, as there was no side seam to reduce. This made the bust smaller as well, but that worked out just fine, as the jacket was quite full in the bust already.
The sleeves were sewn back into the garment and the lining pinned in and stitched by hand.
With my jacket altered, and fitted properly, I now love it even more. Time to make an outfit to go with it, don't you think?
Have you seen Miss Fisher's Murder Mysteries? It's an Australian TV show based on the Kerry Greenwood Novels. The series highlights the Honorable Miss Fryne Fisher, who is a lady detective in the 1920's, and is played by the brilliant actress, Essie Davis. TheFryne character is the epitome of the strong, sassy, smart woman that I would love to be. AND she has a fantastic wardrobe.....Read More
An Interview with Vintage Clothing and Pattern Designer,Theresa LaQuey
In preparation for draping my Art Deco Preservation Ball Gown, I reached out for a little advice and encouragement from Couture Vintage Clothing Designer, Theresa LaQuey. She has a wealth of knowledge, after spending many years creating beautiful bespoke creations for ladies with an eye for vintage style. Our Conversation is below.
Additionally, we will be doing another giveaway this week. Theresa has generously given us an autographed copy of one of the Simplicity patterns that she designed. I'll do a random drawing of our email subscribers to see who wins!
Jennifer: Theresa, I'll likely drape a late 20's look in silk charmeuse and chiffon and will probably take a trip to Britex Fabrics for some pretty beaded appliques. A friend gave me a purple and yellow ombre length of silk, that I intend to use for the main part of dress. I think the purple yellow combo will be my ode to Egypt but maybe I'll do a fun head dress as well. I'm still in the planning stages. Do you have any advice as to how I should begin?
Firstly, I so admire your thoughts on draping your gown. If I may make a recommendation, try to find the pattern making and draping book that was printed by the Women's Institute of Domestic Arts and Sciences, Scranton PA, published in 1928?? I think. When I was learning my trade, a dear fellow student gave me a xeroxed copy of that book. It made all sorts of dress making from the 1920s very plain and simple. Just geometry and physics.
I do not give a good review on getting purchased appliqués. I have had very bad experiences with them. They are too stiff and don't look correct. It sounds cruel, but get a dead dress and cut it up. You will do better with it. (note from Jennifer - I think this is a great idea!)
I would like to teach you to bead. I know the Tambour method. It takes about one hundred hours to learn it, and another couple of thousand hours to perfect it. But oh boy it is worth it.
However, purchased appliqués can work. Just make sure they are soft, not stiff. Also, give a call to the Fashion Company in SF. They have carried appliqués and are very great. Be prepared to meet the minimum of $70.
Jennifer: How & When & Where did you first begin studying bespoke sewing and couture design?
Well, my mother was the costume designer at Diablo Valley College (DVC) and my whole family has been stitchers for at least 100 years. My mother was paid so poorly and because of that, I started hanging out in the costume department with my mom at age 5.
(Later in life) I was in the punk scene and got married to the lead singer of the Dead Kennedys. He was a collector of vintage records. That’s when, I started collecting vintage patterns. After we broke up, I started the apparel design program at DVC. It was a fantastic program. If you want to get into design, don’t spend $30,000/year. Go to a community college. It’s an amazing experience.
Then, in 1987, I ended up partnering with Mark Jones, making couture gowns and learning how to bead..
Our very first commission was a wedding gown was a replica from a movie Topper with Constance Bennett and Cary Grant. I had to have foot surgery and I spent my time, in bed with my feet up, beading that gown.
Jennifer: At the Art Deco Preservation Ball 2 Years ago, I was completely impressed with all the glamorous ladies walking around that evening, at the Oakland Scottish Rite. Each woman looked spot-on, and I thought for sure they were all wearing mint condition vintage. Then later that night you were honored with a special display of all the ladies wearing your gowns (I think there must have been over 30 ladies standing up near the stage) and nearly all of the gowns on display were the exquisite designs I had been admiring earlier . It was wonderful seeing the variety of designs you produced from the Art Deco Era and the 1930’s styling in particular. Is this your favorite era? Or just the one most on display?
It’s my favorite era ever. I consider myself more of a mathematician than a designer. It sounds crazy but you are dealing with the geometry of stretch, when it comes to Bias. When you get into the 30’s they are really applying that “wonderful” of the 1920’s to the feminine form. One tip - Avoid Side seams. The 1930’s is my favorite (era) because it’s so unexpected. If you go in there like an explorer, you’ll learn a lot about making clothes.
Jennifer: Are your couture gowns original designs, inspired by the era, do you use vintage patterns or a combination?
A combination of both. We have a joke around the house that I’ve copied so many Adriens that we call them LaQuey-driens. I’ve done plenty of original designs as well. Mainly I do bespoke (gowns) only for friends, these days.
Jennifer: For this year’s preservation ball, I will be draping a gown in the late 1920’s style. When I made my gown two years ago, I made a corset to go under. The pattern was reproduced from a 1920’s pattern and had the perfect silhouette for the straight lines of my gown. I’m planning to do the same this year but for a dress that will have a little more shape appropriate to the later 1920’s. Did you ever make foundation garments for your gowns? Did you build foundations in the garment?
I have built foundation garments into gowns but they are more 1950’s gowns. The thing about 30’s gowns especially, is that they should look like they were blown on to the body and just land there.
Jennifer: Do you have a favorite material to work with for vintage gowns?
Yes, I do - My super-duper favorite - a 1930’s red & white ensemble. A Japanese fabric called Chirimin crepe. It’s a rayon pebble crepe and only 36” wide. You can find it at www.fabrictales.com
These ladies are incredible. The weight of the fabric is incredible.
Then I have a supplier out of the east coast and Los Angeles - Eastern Silk Co. (trade only) they carry 4ply crepe and crepe back satin in 144 colors.
C&J Textiles in NY - the fabric they carry for called Silk Vanity - The colors are gorgeous. I’m working on another gown this month in this fabric.
Jennifer: Along the same lines, do you have a favorite gown that you’ve made? Who did you make it for? Would you describe it for us or do you have a photo?
I do - Do you know of Mr. Pear? I worked with Mr. Pearl last year and we did a dress together for a burlesque artist.
From my own projects I would have to say the Chanel Fireworks dress. It was so hard. All beaded. Black Chiffon with poly-chromatic sequins. Every time you have to knot off each sequin individually. It’s a beautiful evening gown. The woman who wore it is incredibly elegant.
Jennifer: You always look so fantastic when I see you at Art Deco events. Do you dress in Vintage everyday?
I do not wear modern clothing. Most of the time I spend in trousers and a turtleneck. I used to wear beautiful clothing but it always gets ruined. I do not wear makeup either.
I have a pattern for some vintage trousers and have made up about 6 pairs of them. The woman on the cover of the pattern, is standing there, roasting a weenie.
I wear turtle necks in the winter and the rest of the time I wear “The Blouse” which is made from a 1930’s pattern.
Jennifer: After seeing your beautiful couture work for years, I found out that you make sewing patterns as well. What kind of patterns do you specialize in? And where can we buy them?
Simplicity patterns. My sister is Andrea Schewe and she got me the job. She was designing for Simplicity. It’s so crazy. I have 3 sisters. Andrea is 10 years older than me and our older sister convinced her to go to NY.
I went to celebrate my sister's wedding anniversary and Andrea told me to bring my portfolio. I sat down, with Simplicity Patterns, and they looked through my portfolio and they asked me “ What could you do for us?” I did a swing skirt. I made it up. It ended up selling 25,000 copies.
Then, I got assigned Steampunk. I had just done a Steampunk wedding and was so grateful. I became top designer at Simplicity afterward. That means your pattern is outselling everything else. My sister has been top designer as well.
Jennifer: Thank you so much for giving this interview and for generous giveaway of an autographed pattern! Finding out more about you and hearing all your sage advice has been priceless!
YOU can find out more about Theresa and see more photos of her exquisite creations by visiting her Facebook Page.