Well, because you asked, here is a blog post about the Blue Velvet Coat I wore to Miss Fisher Con. In this photo shoot (Thanks Mom!) I paired the jacket with a true vintage 1920’s silk lace and chiffon dress, along with some rhinestone / crystal accessories and coordinating shoes and bag.I think it all works together quite nicely.Read More
I've started working on my "Miss Fisher" wardrobe for the Miss Fisher Convention in June. Very exciting! The first step was determining some wardrobe basics. After analyzing her wardrobe in the show (Miss Fisher's Murder Mysteries), over all the seasons, I have broken down her DAY outfits to include the following:Read More
For those of you who don't already know, along with teaching sewing and fashion at The Sewing Room, I've designed a collection of Sewing Patterns. It is comprised of 3 hats, 4 dresses, 1 pair of shorts, a blouse, a skirt, 2 tote bags, a vest, a set of aprons, a relaxation kit and 1 jacket - Am I forgetting anything? Most (but not all) of our patterns are made for the "TWEEN" girl, and some are sized for adults as well.Read More
Anyone who knows me, knows I LIVE in striped T's. I made the one pictured as a sample for some upcoming classes that I'll be teaching. It has long sleeves, a Bateau neck with a button shoulder/sleeve vents with grosgrain trim and side vents at the bottom opening. It's made from a beautiful navy blue and white synthetic yarn dyed striped (the stripe is knitted into the fabric as opposed to printing on top of the fabric) double knit, purchased from Piedmont Fabric. The gold nautical star buttons and vintage striped rayon grosgrain ribbon at the neck and sleeve vents were acquired from the ReCrafting Co. I made the pattern for this Breton Striped T-Shirt, using my body measurements. I'm fairly happy with the fit. I would only make the armhole and bicep a little smaller to match the slim fit of the body. I'll make those changes on the next one I make up.Read More
It's truly amazing how fast this year has gone and I when I look at this image it seems crazy that I made so many things. I've virtually created a brand new (but vintage inspired) wardrobe. It's been so fun making things for myself and a long time coming. I haven't really done anything like this since High School. Since then, sewing has meant mostly business - pattern making, fashion education and custom design work with a little bit of sewing for the home or for friends on the side.Read More
In my recent post, December Red, I showed a red wool 1930's skirt and coat. This 1930's style skirt is a bit of an ode to skirts worn by the Honorable Miss Phryne Fisher, in Miss Fisher's Murder Mystery series. Her character is quite fashion forward for the 1928-1929 timeline the series is set in and her clothing and style, in general, seem to echo both decades (1920's & 1930's). So, I needed a top to pair with this skirt in my quest for a Miss Fisher Wardrobe.Read More
This Dress was a long time coming. I started working on it in November of last year. Originally, I intended to make it from a wool crepe and that the red rayon would be a wearable muslin. Using the Colette Patterns Oolong Dress pattern (purchased for 1/2 price, when they were discontinuing the pattern), I decided to make one modification - add godets to the skirt in the princess seams to give it a little flip and flare....Read More
As part of my quest to build a "Miss Fisher" wardrobe, I've sewed up three little blouses inspired by separates her character wears in different episodes. This post will show you 3 blouses I have made, starting with one pattern and explain how you can do it too!Read More
The Annual College of Alameda ADAM (Apparel Design and Merchandising) Fashion Show.
The stage was set in the Grand Ballroom at the Hilton Oakland Airport. With a Runway & a DJ, the tables were set for friends, family and fashion professionals. A light lunch was provided. I even got a space at the front (with a VIP sign!). Perfect for viewing the show and seeing the garments up close...Read More
An Interview with Vintage Clothing and Pattern Designer,Theresa LaQuey
In preparation for draping my Art Deco Preservation Ball Gown, I reached out for a little advice and encouragement from Couture Vintage Clothing Designer, Theresa LaQuey. She has a wealth of knowledge, after spending many years creating beautiful bespoke creations for ladies with an eye for vintage style. Our Conversation is below.
Additionally, we will be doing another giveaway this week. Theresa has generously given us an autographed copy of one of the Simplicity patterns that she designed. I'll do a random drawing of our email subscribers to see who wins!
Jennifer: Theresa, I'll likely drape a late 20's look in silk charmeuse and chiffon and will probably take a trip to Britex Fabrics for some pretty beaded appliques. A friend gave me a purple and yellow ombre length of silk, that I intend to use for the main part of dress. I think the purple yellow combo will be my ode to Egypt but maybe I'll do a fun head dress as well. I'm still in the planning stages. Do you have any advice as to how I should begin?
Firstly, I so admire your thoughts on draping your gown. If I may make a recommendation, try to find the pattern making and draping book that was printed by the Women's Institute of Domestic Arts and Sciences, Scranton PA, published in 1928?? I think. When I was learning my trade, a dear fellow student gave me a xeroxed copy of that book. It made all sorts of dress making from the 1920s very plain and simple. Just geometry and physics.
I do not give a good review on getting purchased appliqués. I have had very bad experiences with them. They are too stiff and don't look correct. It sounds cruel, but get a dead dress and cut it up. You will do better with it. (note from Jennifer - I think this is a great idea!)
I would like to teach you to bead. I know the Tambour method. It takes about one hundred hours to learn it, and another couple of thousand hours to perfect it. But oh boy it is worth it.
However, purchased appliqués can work. Just make sure they are soft, not stiff. Also, give a call to the Fashion Company in SF. They have carried appliqués and are very great. Be prepared to meet the minimum of $70.
Jennifer: How & When & Where did you first begin studying bespoke sewing and couture design?
Well, my mother was the costume designer at Diablo Valley College (DVC) and my whole family has been stitchers for at least 100 years. My mother was paid so poorly and because of that, I started hanging out in the costume department with my mom at age 5.
(Later in life) I was in the punk scene and got married to the lead singer of the Dead Kennedys. He was a collector of vintage records. That’s when, I started collecting vintage patterns. After we broke up, I started the apparel design program at DVC. It was a fantastic program. If you want to get into design, don’t spend $30,000/year. Go to a community college. It’s an amazing experience.
Then, in 1987, I ended up partnering with Mark Jones, making couture gowns and learning how to bead..
Our very first commission was a wedding gown was a replica from a movie Topper with Constance Bennett and Cary Grant. I had to have foot surgery and I spent my time, in bed with my feet up, beading that gown.
Jennifer: At the Art Deco Preservation Ball 2 Years ago, I was completely impressed with all the glamorous ladies walking around that evening, at the Oakland Scottish Rite. Each woman looked spot-on, and I thought for sure they were all wearing mint condition vintage. Then later that night you were honored with a special display of all the ladies wearing your gowns (I think there must have been over 30 ladies standing up near the stage) and nearly all of the gowns on display were the exquisite designs I had been admiring earlier . It was wonderful seeing the variety of designs you produced from the Art Deco Era and the 1930’s styling in particular. Is this your favorite era? Or just the one most on display?
It’s my favorite era ever. I consider myself more of a mathematician than a designer. It sounds crazy but you are dealing with the geometry of stretch, when it comes to Bias. When you get into the 30’s they are really applying that “wonderful” of the 1920’s to the feminine form. One tip - Avoid Side seams. The 1930’s is my favorite (era) because it’s so unexpected. If you go in there like an explorer, you’ll learn a lot about making clothes.
Jennifer: Are your couture gowns original designs, inspired by the era, do you use vintage patterns or a combination?
A combination of both. We have a joke around the house that I’ve copied so many Adriens that we call them LaQuey-driens. I’ve done plenty of original designs as well. Mainly I do bespoke (gowns) only for friends, these days.
Jennifer: For this year’s preservation ball, I will be draping a gown in the late 1920’s style. When I made my gown two years ago, I made a corset to go under. The pattern was reproduced from a 1920’s pattern and had the perfect silhouette for the straight lines of my gown. I’m planning to do the same this year but for a dress that will have a little more shape appropriate to the later 1920’s. Did you ever make foundation garments for your gowns? Did you build foundations in the garment?
I have built foundation garments into gowns but they are more 1950’s gowns. The thing about 30’s gowns especially, is that they should look like they were blown on to the body and just land there.
Jennifer: Do you have a favorite material to work with for vintage gowns?
Yes, I do - My super-duper favorite - a 1930’s red & white ensemble. A Japanese fabric called Chirimin crepe. It’s a rayon pebble crepe and only 36” wide. You can find it at www.fabrictales.com
These ladies are incredible. The weight of the fabric is incredible.
Then I have a supplier out of the east coast and Los Angeles - Eastern Silk Co. (trade only) they carry 4ply crepe and crepe back satin in 144 colors.
C&J Textiles in NY - the fabric they carry for called Silk Vanity - The colors are gorgeous. I’m working on another gown this month in this fabric.
Jennifer: Along the same lines, do you have a favorite gown that you’ve made? Who did you make it for? Would you describe it for us or do you have a photo?
I do - Do you know of Mr. Pear? I worked with Mr. Pearl last year and we did a dress together for a burlesque artist.
From my own projects I would have to say the Chanel Fireworks dress. It was so hard. All beaded. Black Chiffon with poly-chromatic sequins. Every time you have to knot off each sequin individually. It’s a beautiful evening gown. The woman who wore it is incredibly elegant.
Jennifer: You always look so fantastic when I see you at Art Deco events. Do you dress in Vintage everyday?
I do not wear modern clothing. Most of the time I spend in trousers and a turtleneck. I used to wear beautiful clothing but it always gets ruined. I do not wear makeup either.
I have a pattern for some vintage trousers and have made up about 6 pairs of them. The woman on the cover of the pattern, is standing there, roasting a weenie.
I wear turtle necks in the winter and the rest of the time I wear “The Blouse” which is made from a 1930’s pattern.
Jennifer: After seeing your beautiful couture work for years, I found out that you make sewing patterns as well. What kind of patterns do you specialize in? And where can we buy them?
Simplicity patterns. My sister is Andrea Schewe and she got me the job. She was designing for Simplicity. It’s so crazy. I have 3 sisters. Andrea is 10 years older than me and our older sister convinced her to go to NY.
I went to celebrate my sister's wedding anniversary and Andrea told me to bring my portfolio. I sat down, with Simplicity Patterns, and they looked through my portfolio and they asked me “ What could you do for us?” I did a swing skirt. I made it up. It ended up selling 25,000 copies.
Then, I got assigned Steampunk. I had just done a Steampunk wedding and was so grateful. I became top designer at Simplicity afterward. That means your pattern is outselling everything else. My sister has been top designer as well.
Jennifer: Thank you so much for giving this interview and for generous giveaway of an autographed pattern! Finding out more about you and hearing all your sage advice has been priceless!
YOU can find out more about Theresa and see more photos of her exquisite creations by visiting her Facebook Page.
This blog post is about how I drape my gowns in the fashion fabric. This is only just the beginning. It will take me working on the dress in my spare time over the course of the next few weeks to get a final dress.Read More
For me, it usually starts with Fabric. This time, I was lucky enough to be gifted two beautiful pieces of silk from my friend, assistant and fellow fabric-lover, Maria Chenut....Read More
I've embarked on creating a foundation for my dress that I'll wear to the Art Deco Preservation Ball at the End of April. I really want to create the right silhouette for my dress which will inspired by the late 1920's / Early 1930's. My figure, at age 47 doesn't quite fit naturally into that era, so I definitely want an undergarment that helps me re-create the look....Read More
As a special treat this week, I'm giving away a fantastic book from my collection - Vintage Lingerie - 30 Patterns based on period garments plus finishing techniques. I'll pick one lucky reader from our email list, so you have to be a subscriber to win!Read More
PROJECT RUNWAY designer Emily Payne Back in Alameda to Teach Draping ClassesRead More